It's been nearly four years since MINISTRY performed what were then touted as their ''final'' live shows. Always a skeptic when it comes to bands calling it a day, I was one of those with the mindset of ''they'll be back,'' and while I was disappointed to have missed their three-night run here in Chicago, it's 2012 and the opportunity has presented itself once more. Indeed, Al Jourgensen is back with a familiar band of ''experienced wingmen'' for what is undoubtedly one of the best MINISTRY offerings to come along in quite some time.
As a big fan of Vampires and Werewolves, I've long held the UNDERWORLD films as franchise that serves as a hearty slap in the face to fans of both. In fact, I hated the first one so much, that it partially inspired me to write DEATH WALKS THE STREETS in 2004. From all angles, I thought that both UNDERWORLD and it's sequel, UNDERWORLD: EVOLUTION, were poorly-directed by Len Wiseman and poorly conceived by writer Kevin Grevioux. I even hated the icy ''blue'' look of the films. By the time 2009's UNDERWORLD: RISE OF THE LYCANS came around, I'd already tuned out. Now, with the 2012 UNDERWORLD: AWAKENING, the franchise is back on my radar - but only for the one thing I'd actually like about it: The Soundtracks.
Bursting with both familiarity and freshness, WE DON'T KNOW ANY BETTER (out Jan. 14) marks the second full-length offering from Brooklyn quartet BLACK TAXI. There's a solid rock band at the core, but the multi-faceted instrumentation - executed with perfection - is where the band excels, pushing well beyond the stage and out onto the dancefloor.
There's a power to RAMMSTEIN that one finds irresistible, yet hard to explain. On the Global stage, they're one of the undisputed leaders of metallic sound delivery, while in the U.S. they rank as one of the few crossover artists to sing predominantly in a foreign tongue, yet maintain the audiences needed to sell-out arenas in a matter of minutes. It's easy for a band like METALLICA to sell out venues across Europe while singing in English, but the hospitality toward equally exotic sonic imports here in the 'States is a hard commodity to find. Unless, you're RAMMSTEIN.
When CONAN O'BRIEN got shafted by Jay Leno and NBC over his hosting duties for THE TONIGHT SHOW, he found himself at the end of a 22-year career with the network - and unable to appear on television per the terms of his exit. Rather than sit back and do nothing, O'Brien packed up and took his show on the road with the ''Legally Prohibited From Being Funny on Television Tour.'' With a familiar band alongside him, O'Brien used the tour as an opportunity to sharpen up and put on display his impressive guitar chops that in the past had only been hinted at during his time at NBC.
Like Santa Claus after a good slide down a chimney on Christmas Eve, BLACK LABEL SOCIETY dropped a surprise last month with the release of GLORIOUS CHRISTMAS SONGS THAT WILL MAKE YOUR BLACK LABEL HEART FEEL GOOD.
Released this week as a 7" vinyl single limited to just 500 pieces - a festive pressing of 250 green and 250 red - SEASONS BLEEDINGS finds San Diego's HOLY GRAIL crash-landing their sleigh right here.
STONE TEMPLE PILOTS frontman SCOTT WEILAND recently released a Christmas album, and there's quite a lot to say about it. Released for the 2011 Holiday season by Softdrive Records via Rhino, THE MOST WONDERFUL TIME OF THE YEAR is an interesting conversation piece that contains a couple decent renditions of classic tunes alongside some of the most... unique.
Ah the holidays... the perfect time to gather with friends and family to curl up on the couch for a viewing of the perennial Christmas classic, JINGLE ALL THE WAY. As Black Friday proved again this year, few things represent Christmas in America as well as chasing through crowds of shoppers to kick some ass in the name of a good deal and a bad-ass toy. Just like Turbo Man.
Having first experienced KORN in a live setting during the Reckoning Day Tour with MEGADETH, FEAR FACTORY, and FLOTSAM & JETSAM in 1995, it's somewhat hard to believe that the band has been infiltrating my ears and pummeling my speakers for over 16 years. During that time, the band has evolved, devolved, and faced it's own identity crisis on more than one occasion. Following up the back-to-basics approach of KORN III: REMEMBER WHO YOU ARE comes THE PATH OF TOTALITY, a radical, genre-bending departure that arrives just over a year past their last effort.